Swipe for the works and stories worth knowing before you go.
Il Paradiso (Jacopo Tintoretto and workshop, 1588–1592)
Behind the Doge's throne in the 53-metre Great Council Chamber hangs one of the longest canvas paintings in the world. Veronese, Francesco Bassano and Palma il Giovane all entered the 1582 competition for it; Tintoretto finished the job with his son Domenico, painting it in sections at the Scuola della Misericordia.
palazzoducale.visitmuve.it: Institutional Chambers, 1st floor · archivio-palazzoducale.visitmuve.it: Tintoretto's Paradiso exhibition · wikipedia.org: Il Paradiso
The Coronation of the Virgin (Guariento, 1365–1368)
This fresco once filled the Great Council wall where the Paradiso now hangs. The 1577 fire almost destroyed it, the new canvas covered it, and its remains were rediscovered beneath the Paradiso in 1903. They now fill the Guariento Room, beside one of Tintoretto's original sketches for the painting that replaced it.
palazzoducale.visitmuve.it: Institutional Chambers, 1st floor · wikipedia.org: Doge's Palace
The black shroud of Doge Marino Faliero (frieze of the Doges, Great Council Chamber)
The frieze below the ceiling portrays the first 76 doges, but one frame shows only a painted black cloth. Marino Faliero was beheaded on 17 April 1355 after a failed coup, and the Latin inscription in his place reads, in translation, 'This is the space for Marino Faliero, beheaded for his crimes'.
palazzoducale.visitmuve.it: Institutional Chambers, 1st floor · wikipedia.org: Marino Faliero · wikipedia.org: Doge's Palace
Ceiling of the Chamber of the Council of Ten (Ponchino, with Veronese and Zelotti, 16th century)
Set up to judge a conspiracy of 1310, the Council of Ten became a permanent body with powers from foreign policy to state security. Its gilded ceiling has 25 compartments, but look closely at the central oval of Jupiter hurling thunderbolts at Vice: it is a copy, because Napoleon took Veronese's original to the Louvre.
palazzoducale.visitmuve.it: Institutional Chambers, 2nd floor · wikipedia.org: Doge's Palace
The Rape of Europa (Paolo Veronese, 1570–1580)
Painted between 1570 and 1580, it reached the palace in 1713 through Giacomo Contarini's bequest, was taken by French troops after 1797 and came back in 1815. It is being restored in the Liagò Room, where visitors can watch the work, while a copy hangs in its usual place in the ambassadors' Antechamber.
palazzoducale.visitmuve.it: visitor information (works under restoration) · palazzoducale.visitmuve.it: Institutional Chambers, 2nd floor · finestresullarte.info: live restoration of The Rape of Europa (14 July 2026)
The Bridge of Sighs (Antonio Contin, 17th century)
The enclosed bridge holds two separate corridors side by side; visitors walk one of them to the New Prisons, whose cells were lined with nailed larch planks. Its name dates from the Romantic era, imagining prisoners sighing at a last glimpse of the lagoon and San Giorgio, and Lord Byron gave it its English form.
palazzoducale.visitmuve.it: Prisons · wikipedia.org: Bridge of Sighs
Mars and Neptune on the Giants' Staircase (Jacopo Sansovino, 1567)
Sansovino's colossal gods, standing for Venice's power on land and sea, guard the ceremonial staircase designed by Antonio Rizzo; each new doge was crowned between them. You face them from the loggia near the end of the visit. A six-month pilot restoration of the fragile staircase was announced in July 2026.
palazzoducale.visitmuve.it: Courtyard and Loggias · palazzoducale.visitmuve.it: Institutional Chambers, loggia floor · wikipedia.org: Doge's Palace · finestresullarte.info: Giants' Staircase pilot restoration (15 July 2026)
Adam and Eve (Antonio Rizzo, from the Foscari Arch, 1462–1471)
These are the originals of Rizzo's figures that once stood on the Foscari Arch in the courtyard, now shown with his Shield-Bearer in the Liagò Room, where nobles of the Great Council met between sessions. Rizzo later became the palace's chief architect, then fled Venice in 1498 after being found guilty of embezzlement.
palazzoducale.visitmuve.it: Institutional Chambers, 1st floor · wikipedia.org: Antonio Rizzo
Original capitals of the palace arcades (Museo dell'Opera, 14th–15th centuries)
In the 1870s restorers took 42 crumbling capitals from the façade arcades and loggia and replaced them with copies, so those 42 outside are replicas. The originals, carved with men, women, children, animals, zodiac signs, vices and virtues, now stand on their original columns across the six rooms of the museum.
palazzoducale.visitmuve.it: Museo dell'Opera · wikipedia.org: Doge's Palace
The Armoury (14th–17th centuries)
Over 2,000 pieces survive from the arsenal the Council of Ten kept ready for the palace guards. Look for the monogram CX, for Council of Ten, painted or carved on weapons and door jambs, Turkish standards and ships' lanterns taken in battle, instruments of torture, a chastity belt and small weapons that the law banned.
palazzoducale.visitmuve.it: Armoury